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A new challenge

Ananya Chakraborti, the Vice President of IAWRT International, has accepted a new position as the Chairperson of the West Bengal  Commission for the Protection of Child Rights. Ananya says she is looking forward to the challenging assignment.

The state government body exists under the National Commission for Protection of Child rights, which was formed in 2005. She expects the most challenging aspects to be twofold: to ensure that every child gets access to education, and every child is safe from any form of abuse, sexual or otherwise.

Now in its third year of operation, the state commission has the broad mandate to protect the rights of all children, regardless of income or social status.  The work of the six-member (plus Chairperson) commission covers the entire state of Bengal which includes one of the largest cities in India, its capital Kolkata, and has a population of over 91 million people. It is bordered by the countries of Bangladesh, Nepal and Bhutan and is constantly coping with the challenges of migration and trafficking.

The organisation has the functions of both monitoring the effective use of numerous laws to protect children, and educating to make protection of children a central part of social culture, not just the law. The West Bengal state’s second Child Protection Day was an example of this type of role, in 2016 the theme was “stop child labor, start education”. Media report here.

The Commission has the power to receive and investigate complaints, recommend prosecution or action, initiate court test cases or investigate any violations of children’s rights. It engages in data collection and research, regularly reporting publicly and to government. This work fed into the National Commission on issues such as the right of children to education and health, protection against sexual crimes, forced child labor, child marriages, juvenile justice and investigating how authorities, such as Police, respond to crimes against children or minors.

Ms Chakraborti, who worked extensively on trafficking in South Asia through an IAWRT funded project for five years, says she is looking forward to doing further work for trafficked minors through this new position.

She was selected for the role of Commission Chairperson after a career which has included over twenty years as a journalist in print and television media, as an award winning documentary film maker, media educator and researcher.

Apart from this responsibility, Ananya will be a member of the West Bengal Woman’s Commission and also Chair the Kolkata District complaints committee to prevent, investigate and redress sexual harassment in the workplace for women. 

“I thank IAWRT and FOKUS for supporting me in my trafficking project. I have strong reasons to believe that the work that I did during those five years was partly instrumental in making the State of West Bengal consider me for this position.”

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IAWRT long documentary 2016-17

The rough shape of IAWRT’s Long Documentary, 2016-17, is promising fascinating insights from around the globe. Four international directors located in Philippines, Cameroon, India and Canada are making making features. 

The Executive Producer for this film, Nupur Basu explains how she proposes to connect the stories; “Tying up these local narratives from Cameroon, Philippines, India and the US/Bangladesh will be interviews with award winning international women journalists who will describe the challenges and achievements of covering world events from some very difficult war torn zones and difficult political regimes.”

Director ILLANG ILLANG Quijano in the Philippines, will portray the challenges for independent women reporters, in getting the story out and building audiences and the personal dangers faced by the country’s few independent women journalists.

They experience harassment and red-tagging by the military, which does not differentiate them from the people that they cover, such as indigenous peoples and activists who advocate for reforms which run counter to government policy. Such people are often tagged as ‘enemies of the state’. Her film will follow the lives of two women journalists who uphold the tradition of independent reporting, despite the dangers.

Director SIDONIE PONGMONI, from Cameroon will be showcasing a woman journalist working in the Cameroon State media (CRTV) who reports from war affected northern Cameroon.

The area is considered a high danger zone where religious radicalization has been at work, because of fundamentalist Christians and Muslims brought into contact with the Salafist ideology imported from the Middle East. The film’s protagonist works in Maroua which is a town currently in the centre of Boko Haram attacks, where terrorism and associated high levels of sexual violence including rape, torture and also murder are coming to light. Yet, despite the danger they face, women and female children are also becoming feared strangers to many northern communities because of the perceived danger they pose as possible suicide bombers.

The subject of this documentary is an efficient media woman, a leader and someone who has braved a lot of social odds to be where she is now, and this feature will examine how the journalist goes about working in this fraught environment.

Director DEEPIKA SHARMA from India will portray the lives of three Dalit[1] women who have been bringing out a quarterly magazine, Navodayam (A New Dawn). They established it 15 years ago in Chittor, a small very under resourced district in the southern Indian state of Andhra Pradesh. Run entirely by Dalit women, it started as a quarterly magazine with a meagre 750 copy run. It has now reached 40 thousand and boasts of a readership of more than 200 thousand – more than what Andhra’s local newspapers can claim! It has 12 full time reporters who cover different regions.

This documentary seeks to understand how they managed to break a social structure infected with caste hierarchies and patriarchy, and make a place for themselves, and for many other Dalit women in their district.

As a counterpoint to this grassroots journalism effort, the film will also feature a highly experienced mainstream woman journalist, working in very different circumstances, who is trying to achieve the same thing – fighting corruption and censorship and thereby strengthening India’s democracy.

Director EVA BROWNSTEIN from Canada will profile a famous Bangladeshi woman blogger, who is now living in exile in the US. The protagonist’s husband, a famous blogger from Bangladesh, Avijit Roy was murdered on the streets of Dhaka, Farida Bonya Ahmed was also attacked, but managed to escape with severe injuries. She now lives with her daughter in the US and is recovering from the loss of her husband, and the trauma of the attacks. 

The Executive Producer for this film, Nupur Basu,  explains thet the linking interviews will gove the local stories a global context.“Four women journalists who have lived and worked in other war and terror riven parts of the world will be featured to throw light on the state of women in media globally, and give us the macro picture to connect the dots on the theme of the film, Women Making News.”

The documentary is expected to be completed by early December 2016.

[1] Means ‘divided’ – chosen name for those formerly called untouchable or outside the Indian caste system

illustration compiled from Typing photo by OER Africa on Flickr and boingboing.net / Laurie Penny.

The Asia Europe Foundation is inviting practicing journalists from ASEM countries to apply to participate in the journalists’ workshop, Asia-Europe News Media Connectivity: Collaborating on Digital Journalism, to be held on 4-7 October 2016

 in Madrid, Spain. Details hereThis workshop will be a platform for the participants to share their journalistic experiences in and perspectives on, handling digital connectivity from national and regional levels. Through discussions, the event will explore the current environment of digital media and the role of journalism in reflecting and facilitating ‘connectivity’ between diverse communities.

Application deadline for ASEF Journalists’ Workshop in Spain will be Monday, 29 August 2016. Application Form

film collage

Deadline October 31 2016.

The 13th IAWRT Asian Women’s Film Festival will take place in New Delhi from 2-4 March, 2017 at the India International Centre. The festival will showcase the works of Asian women directors living in any part of the world. 

The entries can be in a number of genres – animation, non-fiction, short fiction/feature fiction, experimental and student films. The India Chapter seeks to screen films which create narratives that reshape the way we imagine cinema to be. Like previous editions of the festival, the general programme will feature films selected through the open-call entry, and there will be some curated sections and seminars. The festival will also feature the fourth edition of Soundphiles, an exploration of audio productions. The call for audio entries will be posted soon.

Films made between 1st October 2014 – 31st October 2016 are eligible for entry. Please enter the film online to the festival by filling up the google form and submitting it (https://goo.gl/forms/6RkmvXrcEvtp2Rql1) before October 31, 2016. For preview viewing, you can either submit an online link to the film (along with password)  or post two DVD copies to the address below. The entrant will also need to submit three high quality images from the film, and one photo of the Director. The online link of the film with password and publicity material can be sent to: [email protected]. Any Further enquiries about the festival, can be made to this email address as well.

Address for sending preview DVD copies: Subasri Krishnan,  IAWRT Asian Women’s Film Festival145, Gautam Nagar, New Delhi 110049, India

More about the Rules and Regulations about the festival can be found, here

podcast disaster radio1

Typhoon survivors in first-ever community radio podcast at Mambog, Phillippines 

By Frenchie Mae Cumpio

ABOUT two hundred typhoon survivors participated in the first-ever community radio podcast at Mambog, Pinabacdao, Samar, in late July.

It was part of a series of activities in preparation for the establishment of a women-led disaster risk and reduction community radio station, to broadcast from Tacloban City. In late 2013, Tacloban city and the Eastern Visayas region took the brunt of the destruction of Super Typhoon Haiyan or ‘Yolanda’, which left more than 6,300 dead and hundreds of thousands without homes and livelihoods.

PIC L-R: Frenchie Mae Cumpio, Danny Cordova, Mannil Fabular, Yulito Tabontabon, Glody Ann Z. Ocale, Lourdes Lacerna, Evalyn F. Cabuenos, Maria Loressa C. Tabontabon, Lerma R. Macabante, Jola Diones-Mamangun (IAWRT-Philippines President), Michael Advincula (Radyo Komunidad of Kadamay National.)

The community podcast was organized by the Philippine chapter of the International Association of Women in Radio and Television (IAWRT). The podcast event was organized in cooperation with Kodao Productions and the Eastern Visayas-based multimedia group Eastern Vista.

​The morning podcast focused on peasant issues, including the state of the agricultural sector in Samar after typhoons Yolanda, Ruby and Seniang successively ravaged the region since November 2013. Pic left, audience: Kauswagan Parag-uma, peasant organization based in Pinabacdao, Samar. Pic Right, Audience: Gabriela-Pinabacdao, women’s organization based in Samar/Screenshot by Kodao Productions)

Podcast resource persons exposed what they said was the government’s neglect of the farmers in the agricultural region.“Makuri pa it amon kabutang. Waray gud kami katagi hin ayuda, ‘Denise’, a woman peasant, said. (We are still in an unstable situation. We were not given enough assistance.)

The afternoon podcast discussed the 15-point people’s agenda, which progressive organizations from all over the country, including Eastern Visayas people’s organizations, submitted to President Rodrigo Duterte after his inauguration onJune 30 2016.

Hosted by volunteer broadcasters Danny Cordova and Frenchie Mae Cumpio (this reporter), the afternoon podcast discussed the peasants’ demands such as genuine agrarian reform in light of Duterte’s first State of the Nation Address on July 25. Five Pinabacdao farmers also discussed the militarization of their area, and allegations of torture, threats and intimidation by the Armed Forces of the Philippines (AFP) in their communities. “Diri nira angay talapason an katungod-pantawo han mga parag-uma nga nagpapaka-buhi la,” local peasant and alleged victim, Leo Macabante, said. (They [AFP] shouldn’t violate the human rights of the farmers who are just working to earn a living.”)

More community podcasts are scheduled in August and September in other communities around Eastern Visayas.

Johannesburg 26-29 October 2016.  In conjunction with the 2016 Regional Conference. IAWRT International will launch the organization’s first African Film Festival (AFF) to be held on the 28th and 29th.

A workshop on the implementation of the Gender Mainstreaming Project (GMP) for South Africa, Tanzania and Kenya, will also be part of this triple event. Invitation from President to members below.

Friday, 12 August 2016, Nairobi. KenyaUNESCO is supporting Kenya ICT Action Network (KICTANET) to hold an Internet Governance Forum (IGF) Conference.  It will cover net neutrality, data protection; intermediary liability and cyber security 

and feature updates on the Review of Kenya’s ICT policy and the ICT Access Gap Report.  KICTANET and IAWRT Kenya have been partners in past projects targeting technological violence against women. 

This activity is within the framework of UNESCO’s Main Line of Action MLA 1: Promoting an enabling environment for freedom of expression, press freedom and journalistic safety, facilitating pluralism and participation in media, and supporting sustainable and independent media institutions in Kenya.  Contact Jaco Du toit, Advisor Communication and Information, UNESCO Regional Office for Eastern Africa (Tel: +254 (0)20 762 2346/2566, Email: [email protected])

 

 

AIBD/IPPTAR Regional Workshop on Shooting Video with a Smart Phone. will be held 19 to 21 September 2016. Kulala Lumpur. 

 

This workshop deals with skills in shooting, editing and filing video using smart phone and tablet technology plus  native and third party apps. 

At the end of the workshop the participants will be able to

  • Understand the latest developments in new and social media and apply this understanding to gathering and sharing location video using smart mobile devices
  • Discuss and evaluate changing audience consumption habits and use this information to make decisions about content and video techniques
  • Use a range of mobile smart device video tools, including mobile apps, social media accounts and social media monitoring tools
  • Use new techniques for filing video through mobile technology

Content will includeWhy you need to use smart devices in your organisation, The changing media landscape: disruptive technology and changing media consumption habits, Metadata and new broadcast workflows, along with regulations, restrictions and social responsibilities. It will look at new media gathering, editing and filing tools, demonstrate a range of video and audio apps for smart devices and include exercises using video apps and Practical activities using smart device apps. 

At least five years of experience in television programme production is an essential condition, and ability to understand, speak and write in English fluently. Participants must bring a smart phone or tablet device which has enough storage space to load new apps and store video content. http://www.aibd.org.my/contact

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South African screenwriter, Makganwana Mokgalong from Pretoria.

Why did this type of work interest you, and how did you get started?

I’ve always had an interest in and love for media and the arts, it’s just not something that occurred to me as a career until I was in university. After some university hopping I ended up in advertising school where I began seeing myself as an ideas originator and after my university day, instead of working in advertising I worked in television as a content curator.

One of the production companies I worked for chose me to write a drama proposal for our public broadcaster and I found home! I’ve been grinding on working to be a career screenwriter for 10 years now.

What part of this job do you personally find most satisfying? Most challenging?

Writing stories is about our collective consciousness and being able to deliver to audiences an opportunity to see themselves in others; that is what I find most fulfilling about being a screenwriter. The thrill of conjuring characters up , giving them life and deciding their fate flatters my power complex greatly – I love it!

What has been most challenging for me has been cracking the code and mastering the craft and the networking needed to be continuously employed.

What do you like and not like about working in this industry?

I love creativity, being able to wake up to create every day is a huge blessing. What I don’t like is the instability of the industry, everyday things change and emotional wellbeing and bank balance gets

affected. There is also the fate of being subject to people’s preferences; creativity is very intimate and chemistry plays a big role in whether people choose to work with you, or not.

What are your long-term goals?

To run my own production company that is a cross between Disney and HBO which is a combination of family viewing and more high end risky content.

What special advice do you have for a student seeking to qualify for this position?

Read, write and watch a lot of TV and film. Be willing to start at the bottom and don’t take it too hard when things don’t happen when you want them to happen. Make peace with a steady growth of opportunities.

Do you have any special words of warning or encouragement as a result of your experience?

If you love it, show up for it.

My strongest assets/skills, areas of knowledge, personality traits and values are….

What makes my writing stand out is my wit and succinctness. I am that girl that will take it there. Ideas origination and implementation are a strong suit of mine. Researching content and coordinating elements for a coherent and pleasurable viewing experience is also something I do well.

I believe in kindness, treating everyone I meet with respect and I prioritize harmony in team work.

leila doss broadcasting

Pic left:Leila Doss and Abdollah Faryar at the United Nations Radio Division, New York 1950. UN Photo.

The IAWRT is saddened by the death of Leila Doss, a ground breaking media woman credited with being the first female broadcaster in Egypt, and the first female to work as a United Nations Assistant Secretary General.

It is a measure of Leila Doss’s principles that she walked out on both jobs “The day I can’t do an honest job” she told the 2005 IAWRT Biennial, “I resign.” 

Leila was one of IAWRT’s longest serving members, a board member of the USA chapter, and was still actively participating in UN projects and the IAWRT at the age of 95. Despite her frailty, she attended the IAWRT event, Exploring strategies to eliminate gender inequality in the media, held in parallel with the 60th Commission on the Status of Women in New York, March 2016. However, two months later she was hospitalised by a long-term illness and died in July.Pic right: L-R Sheila Dallas-Katzman, Leila Doss, Voilet Gonda, Abeer Saady, New York, March 2016.

IAWRT USA chapter head, Sheila Dallas-Katzman writes; Lelia Doss was a champion of women and children’s rights and a philanthropist whose generosity knew no boundary. IAWRT-USA and Internationally, will miss her. May her soul rest in everlasting peace.

Now we must fly on our own wings – Gunilla Ivarsson, IAWRT President

It was with great sadness I received the message that this impressive and amazing woman is no longer with us. Despite her serious health problems she assisted actively in the preparations of the IAWRT CSW activities in March this year. She was on the front seat during our panel session and she took an active part in the rather lively gathering afterwards with the IAWRT International Board and the US Chapter.

IAWRT has many mature and very experienced members still active, but personally I feel that we have now lost one of the eldest and most important links into the UN. Now we must fly on our own wings – but thanks to Leila and others, we are prepared.

Leila Doss was born in Egypt in 1921

She was educated at the American University in Cairo, and worked for Egyptian State Broadcasting and as Professor of English Literature and Creative Writing at the university, before she began her long career in the UN.

Allied forces have landed in Normandy

Leila said she became first woman radio broadcaster in Egypt by chance. Her media career began as a radio producer. In June 1944, she made a spectacular debut, announcing the invasion which ended World War Two.

“It was the landing in Normandy, and they [Egyptian State Radio] were stuck, because there was nobody there at that hour of the day … to announce it. So they shoved me into a studio, put the microphone in front of me and said ‘start taking’ and I never stopped talking after that.”

Leila started managing the English programming for Egyptian State Radio, which was then run by the British Marconi company. However, the second time Leila was asked to train an inexperienced Englishwoman to be her boss, she had had enough. Leila recalled that she was told she could continue in the job but not have the title or the salary “because we cannot give such a responsible job to an Egyptian: 

“I turned tail and walked out of the building.”  

On her world travels, she visited the United Nations in New York, and it became her home. After watching a debate on the Suez crisis, Leila asked for a job. She joined the newly formed Radio Division of the UN in 1947. She loved the call sign: “Saying ‘This is the United Nations calling the peoples of the world’ was one of the most wonderful feelings you can have” she recalled.

No adjectives or adverbs

However, broadcasting UN news was not easy, pressures were exerted by member countries which transmitted broadcasts, and the rules were stultifying: “We were not allowed to use adjectives or adverbs … it was like walking a tightrope with your hands tied behind your back” Leila said.

Later Leila worked in information centres in New York Geneva, Bangkok, Cairo, and Rangoon as a media officer, radio officer, a director of the UN Division of Economic and Social Information, and head of the information campaign for the International Year of the Child. 

Leila weathered controversies, and the pressures of  member countries and other UN officials and the threat of sacking until her appointment as Assistant Secretary-General for personnel services, brought it all to a head. “It was the ­­most frustrating and horrible job in my 37 years of my UN career”. She finally felt it was no longer possible to do “an honest job” and retired in 1982. Her assessment two decades later was: “The UN is still a work in progress”

Leila remained in New York, active as a lecturer in media and international affairs, wrote poetry and headed “The World at the UN,” a field study program at Fordham University, and participating in IAWRT.

In 2013, Leila was presented with an IAWRT lifetime achievement award for 50 years of service  pics:Gerd Inger Polden:Catherine White presents the award (L-R) Liz Miller, then President Rachael Nakitare, Sheila Dallas-Katzman,Violet Gonda. (Video here).

Her career and commitment to women and humanitarianism are only a partial tribute to Leila Doss. She made a particularly great impression on those who met her when the 2005 Biennial was held in the USA. She lives on in the hearts and memories of IAWRT members who knew her. 

Gundel Krauss Dahl: She gave of herself  to the very last

Gundel (IAWRT President 1997–2001) writes; Alas, Leila has left us – and with her one of the most impressive personalities in the IAWRT family is no longer amongst us. Leila represented a bridge from the earliest beginnings of our organization up to the very present. The fact that she was so actively engaged and committed and gave of herself  to the very last has my deep admiration and respect.  I met her in person only once, in Williamsburg in 2005, but I have never forgotten that small, gracious and energetic woman who personally took the initiative to give the visitors from Iraq the space and platform they deserved. That story has been mentioned by others.

Leila was a person who radiated warmth, and she generously shared her immense knowledge and experience across countries and cultures. She has truly earned our love and gratitude. Thank you Leila for being with us all the way.

Racheal Nakitare:She inspired me 

Rachael (IAWRT President 2011-2015) says; No amount of words could really express the loss we feel at personal as well as professional level. Leila was in a class of her own. She inspired me with her gracious demeanors and attention to detail. I will miss you dearly Leila Doss. R.I.P

Violet Gonda: I mourn the loss of a mentor and one of my dearest friends

I can’t believe that we are talking about Leila in the past tense. Leila was full of life and I could not believe the amount of energy she had even at 95. She didn’t want people to fuss around her. She loved to cook for her guests or just take groups out to her favourite restaurants in New York.

Because of Leila I got to know more about the culture of  New York and the workings of the UN. She welcomed me in her house every time I was in New York and we would spend hours and hours talking. She had such great stories about her time at the United Nations and her travels. When she lived in Thailand or Geneva and the people she met. Leila had the unique position of having worked for the UN from around the time it started and therefore knew almost every Secretary General. 

I learnt a lot from Leila and I thank God for the time spent, memories shared and new friends she introduced me to. She was a caring person and I saw first hand the love and help she gave to our dear friend the late Diane Bailey. Even though Leila herself was ill, she was more concerned about other people than herself. 

I first met Leila in 2005 at the IAWRT Biennial in Virginia. But the first time I stayed at her house was in 2012 with Abeer Saady, then a new member of IAWRT, and it became the start of a great friendship. I visited her every year after that but came full circle when both Abeer and I visited her together again just three months ago. 

We  were amazed at how brave she was to come out to the IAWRT parallel event, followed by a lengthy meeting between the International Board and the local chapter, even though she was in a lot of pain. Later the three of us went out to her favourite Japanese eatery, the Fatty Fish near her Manhattan Apartment. 

In the restaurant some guests who sat next to us, overheard our conversation and ended up having a huge debate with Leila about the Middle East and US policy. Abeer and I listened with intrigue and awe as Leila sparred with these people. Little did we know this was the last time we would see her.

Leila always told me she will sleep when in the grave every time I annoyed her about resting. Leila my dear you are free at last and no longer in pain. 

Going to New York will no longer be the same without you. l will miss the conversations and miss you dearly. Deepest condolences to the loved ones she left behind. May her soul rest in eternal peace.

Awaz Saleem Abdalla: I will never forget her kindness

I will never forget how Leila was so nice to us three women journalists; myself from Kirkuk, Muna Muhsen from Baghdad and Sahr Hussein Ali al-Haydari from Mosul, when the Institute for War and Peace reporting (IWPR) took us to the US in 2005.

We met with Hillary Clinton, but my friend Sahar (Sahar) was scared of an arrangement to meet the President, George W. Bush, and said she would get killed in Mosul if they knew she had met with the man who had ordered the invasion of Iraq. Unfortunately, later she was killed anyway, when she was confronted by gunmen from the Ansar al-Sunna extremist group.

Muna Muhsen and I were threatened with death so we left the city and never returned. Muna Muhsen had been a TV presenter in Baghdad.

The trip to the United States was our first travel outside Iraq and our first time flying in a plane. The former Iraqi President, Saddam Hussein had prevented us from travelling prior to this.

Everything was strange to us. We believed that we should get treated as guests and live a royal life in the US, it was a big event for us. Instead of thanking IWPR, we blamed them for not showing us much other than radio stations, and putting us in danger.

IWPR were worried about our attitude, but Laila understood what we were saying. She knew that on our first visit, we wanted to see what life in the US looked like.

Laila helped us a lot, called us every day and made us delicious food.

Nonee Walsh was impressed by Leila’s intervention of behalf of the Iraqi journalists

In the wake of the 2003 invasion of Iraq, several Iraqi women broadcasters were being hosted in the US by a commercial radio broadcasting training project. Much to the annoyance of the IAWRT members, their US host kept talking, telling us how the women were learning about talk-back radio, and paraphrasing how they suffered with the destruction of Iraq’s infrastructure. 

The audience became increasingly annoyed as the murmurs “let them speak” became more audible; but the host insisted the womens’ English was not good enough. Then I saw this small woman in her eighties, who I didn’t know, rise and made her way to the microphone. “What could you tell them about radio?” she asked, “Iraq along with Egyptian broadcasting, where I was a manager, are the oldest and the best broadcasters in the Middle East.” If my memory is correct, Leila might have conceded that Iraqi broadcasting was even better than Egypt’s!

“I can translate” she said, and Lelia took over, gently interviewing the three journalists, Awaz, Sahar and Muna, about their experiences in Iraq, and the threat to, or destruction, of their careers as broadcasters. Later some of those women joined IAWRT. pic right: Lelia ready to translate for Awaa.

I introduced myself to Leila after the session, thanking her for her intervention, as I was getting angry but didn’t know what to do. She said she was annoyed at how poorly the women were being hosted, and was arranging a UN visit for them. She also generously invited me to stay with her in New York, if I ever visited. It is a treasured memory of a strong and gracious woman, and I am saddened that I will not see her again in this world. 

Gerd Inger Polden: I was instantly taken in by her fearlessness, her vitality and her warm concern for others 

Gerd Inger Polden writes that she and Leila developed a close friendship after meeting in 2005; I was instantly taken in by her fearlessness, her vitality and her warm concern for others.  She discovered that the two Iraqi journalists were to be presented by their hosts at a press conference back in Washington DC.  They were rightly afraid that the media coverage might endanger their lives once they were back in Iraq.  Leila and I spent most of the night talking to them and planning how to stop their hosts from doing this.  The next day Leila presented their plan at our conference, and an outcry from IAWRT members forced their hosts to cancel the press conference. 

Speaking out against power has been her trademark. When we stayed with her during the 2015 CSW in New York she told us about her time as Assistant Secretary General for personnel services, towards the end of her long UN career. 

She did not want the position, but she was persuaded to take it. It was hard.  She wanted to hire the best qualified people, but often the political pressure was on hiring someone from a nation that was next in line to get a position.  Finally, when she was ordered to hire a person she deemed not qualified, she went to the Secretary General and said: “I am too old to be a prostitute, I resign.”  And she did. Pic right: Gerd Inger Polden, Leila Doss, Ulf Arnesen, Violet Gonda New York 2015

Night after night we listened to her tell stories from her childhood in Assiut in Upper Egypt as well as from her long life at the UN.  Dag Hammarskjöld was her favourite as Secretary General, and she mourned him and kept a lifelong close friendship with his nephew and his family. 
Her apartment in New York is covered with owls in all shapes and forms.  The first one was given her by a close friend.  When she asked why, he said, you are an owl. From then on, so many friends gave her owls which find their place in the packed bookshelves and everywhere else. 

Her analytical mind and her memory was as sharp as ever, and she remembered the old days as well as kept herself updated on the current news, culture, books, and magazines.  And last, but not least, she was a wonderful cook, and a wonderful friend.

When I phoned her and congratulated her on her 95th birthday on June 17th less than a month ago, she still had that special warmth and eagerness in her voice that always made me feel happy and loved.   Finally, please enjoy and recognize the sharp witted and outspoken Leila we all know, speaking out against western prejudices in this article in the Pittsburg Post-Gazette from July 26 1947.  At the end of this visit in the US, she walked into the UN and said: “I want to work in the UN.” 

In Leila’s own words

In 2005, Freida Werden (IAWRT President 2005-7) recorded Leila Doss speaking at the IAWRT Biennial. Some of this tribute is sourced from the WINGS program, scripted, edited and hosted by Emily Falk, which can be heard here.

Please contact [email protected] if you wish to add a personal note.

Additional Tributes

Egyptian born Geneva based novelist, researcher, and PEN representative to UNHCR, Fawzia Assad

I am devastated by the news. Leila was the model of our generation, an example of woman power. She never stopped building bridges, advising, helping, giving. Deeply Egyptian and convinced International, American and European. And Genevoise, she spent summers in Geneva, New York was her home, but Geneva was her other home, and Cairo, and Assiut. She had a large space in her heart to take it all. My condolences to her family.