Diana Nastasia pic

Name: Diana Iulia Nastasia. Many of my students call me Dr. D.

Location: USA

Where do you live?

A question that doesn’t currently bear an easy answer for me ☺ There is a country I am a citizen of, a country my home is in, and what I consider myself to be. 

I am a citizen of Romania, where I was born, I still pursue various professional activities related to lecturing and research, and I reside for specific periods of time each year until I fulfill my 2 year home country residency requirement that came with the Fulbright fellowship I held several years ago.

My home however is in Saint Louis, MO, the United States of America, where I live together with my husband and two daughters, and where my family moved after I and my husband both earned our Ph.D.s in Communication and Public Discourse in the U.S.

I consider myself a citizen of the world, and not just because I have traversed various countries and cultures. I view borders as constructs – constructs whose objectification and politicization have dire consequences on the lives and well being on people worldwide, and constructs that we can collectively choose to take for granted or can choose to openly address.

What do you do?

I am an educator and a scholar in communication and media studies. I have also been involved in advocacy and activism project.

In Romania I taught, in full time and visiting capacities, at the Romanian-American University, the University of Bucharest, and the National University of Political Studies and Public Administration. In the United States, I taught in the Communication Program and the Department of Interdisciplinary Studies at the University of North Dakota, as well as at the Saint Louis Community College, Saint Charles Community College, and Southwestern Illinois College, and I also lectured in numerous university, academic, and community settings.

My research focuses on voices and portrayals of marginalized populations including women, children, and immigrants. In recent years, I have worked on several large scale research projects not just as a scholar but also as a project manager. I am currently a co-coordinator, together with Greta Gober, on the IAWRT media monitoring research project, which looks at gender equality and social justice issues in public media venues in eight countries, and which has already resulted in a presentation at the United Nations’ 59th session of the Commission on the Status of Women in March 2015. I was a national expert for two Eastern European countries in a project of collection of best practices regarding women and the media for the European Institute for Gender Equality. I took the role of Regional Coordinator for Eastern Europe in a project of the International Women’s Media Foundation, and in that capacity I provided oversight for data collection and analysis in eight Eastern European countries, and contributed background information and result writing. I have worked on two projects sponsored by Internationales Zentralinstitut für das Jugend- und Bildungsfernsehen based in Munich, Germany: a study of how girls from four countries (the United States, India, Fiji, and China) perceive ethnically diverse female characters in cartoons of the Disney corporation (including Pocahontas, Jasmine, and Mulan); and a study of how children worldwide perceived media representations of the Japan 2011 earthquake, tsunami, and nuclear power plant disasters. My research has resulted on over 150 conference presentations, and published chapters in edited volumes at Routledge, Palgrave, Peter Lang, Nova, and Fordham University Press as well as articles in U.S. and European journals.

Why did this type of work interest you, and how did you get started?

I grew up in Romania, in Eastern Europe, at the time when my home country was under a harsh communist dictatorial regime, which kept the population under poverty and in despair. One of our few hopes was getting an education, acquiring knowledge, conceptualizing the world not as it was but as it should be. The communist regime was marring educational processes with political propaganda, however I had a few teachers who were not afraid to encourage and even urge their students to develop intellectual curiosity and critical thinking. 

As I went to college right after the fall of communism, becoming an educator was a choice I made as I was seeking to contribute to forming new generations in the spirit of social justice. I also became a researcher as I realized there is need for data-based evidence to document the issues and problems of those rarely heard and affected by various forms of injustice.

What part of this job do you personally find most satisfying? Most challenging?

I love seeing how, on the duration of an academic semester, upon reflecting on the impact of gender, ethnicity, culture, or power on communication and the media, students get not just new concepts that they can employ in their personal, professional, and community lives, but also a new outlook on the world.

I am also passionate about seeing how patterns emerge from research data I worked on collecting, and how such patterns can help uncover for example who are those tacitly socially privileged and how having such social categories impacts society as a whole.

While there are challenges in both teaching and research, rewards definitely outnumber challenges. There are times when students seem more interested in leisure and entertainment than in working towards reaching their potential and contributing to public good, but there are also many other times when a teachable moment makes students aware of and capable of articulating, for example, the uses and abuses of technologies and the media. There are also moments, when doing research, when one could be discouraged, for example because of insufficient funding, differences in goals and desired outcomes between various contributors and stakeholders of the research, or failure to have an immediate policy impact; but those moments too are overcome when seeing concrete results of research. To give one example, scholarly efforts to evidence the portrayals of girls in stereotypically feminine gender roles in children’s television have lead to a diversification of girls’ depictions even as industry representatives have been trying to dispute such findings.

What do you like and not like about working in this industry?

As I mentioned above, I like the “aha” moments that both teaching and research can generate among students and professionals of communication and the media. There is little that I dislike about my professional activities, and it’s mostly hurdles that can be surpassed.

What are your long-term goals?

My long-term goals are related to educating my students as well as my own two daughters as persons who are sensitive about issues of culture as well as of power worldwide, and are themselves willing to put effort into making this world a better place. I will also continue to seek to contribute to research and service projects that can help bring to the forefront of society and the media the voices and ideas of the underprivileged and oppressed.

YouTube link of your documentaries or radio piece or book wrtitten? Please provide a link if possible.

Links to some recent publications (book chapters and articles):

http://www.palgrave.com/page/detail/the-palgrave-international-handbook-of-women-and-journalism-carolyn-m-byerly/?K=9781137273239 

http://www.izi-datenbank.de/search?q=&f=autor_herausgeber:%22Nastasia,%20Diana%22

What special advice do you have for a student seeking to qualify for this position?

Both teaching and research require passion and patience, but if done well can change lives and bring social change.

Do you have any special words of warning or encouragement as a result of your experience?

Carry on!

These are my strongest assets/skills, areas of knowledge, personality traits and values are….

I am an educator, a parent, a scholar, a critic of the media and of various other power structures, a believer that social, cultural, and environmental justice is within reach and can be attained within my own lifetime with acknowledgment and collective effort.

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Gender Equality in the Media: An 8 country report proves the need for Implementation of Section J of the Beijing Declaration
13th March 2015 at 2:30pm

khedija-2

Name: Khedija Lemkecher

Location: Tunisia

First significant job:

Director / Film maker

What are you doing today?

Producer and director in Cercine film production.

What is your grestest achievement?

Producing the long feature movie “Bab el Fella – Le Cinémonde”

Journalist/s who inspire you:

I am not inspired by any journalist. Director, yes Ingmar Bergman for example.

Three Adjectives that describe you?

Intuitive, determined and sensitive.

What do you value most about IAWRT

You feel like in a big and wonderful family

In another life…

I would be the same

Sample work

You may view my latest documentary on www.babelfella-lecinemonde.com

 

Flyer-2-for-26-June-launch

UN Under-Secretary-General and Executive Director, Dr. Phumzile Mlambo-Nguka

cordially invites you to the launch of UN Women’s global campaign to mark the 20th anniversary of the World Conference on Women in Beijing.

Speakers include United Nations Deputy Secretary-General, Jan Eliasson; Under-Secretary-General and UN Women Executive Director, Dr. Phumzile Mlambo-Ngcuka; writer and feminist activist Gloria Steinem and other eminent personalities, along with renowned musical artists Women of the World, Girl Be Heard and spoken-word artist Carlos Andrés Gómez.

26 June 2014, 5–7 p.m. EDT
Apollo Theater
253 W 125th Street, New York

RSVP to http://goo.gl/BTBB9p

PLEASE NOTE that that guests must bring a printout of their reservation confirmation to the event for entry.

Follow #Beijing20 and @UN_Women on Twitter

CatherineWhite

Dear colleagues,

With a heavy heart I am writing to let you know about Catherine White, one of the longest standing members of IAWRT and first Vice President of the USA Chapter. Catherine passed away on Sunday, June 8th, after succumbing to cancer. 

USA Chapter and IAWRT board member Sheila Dallas Katzman said her enthusiasm to serve and deep love for the association will be remembered forever. Catherine was, just a few months ago, honored at the CSW with a Lifetime Achievement Award for over fifty years of service to IAWRT.

IAWRT President Racheal Nakitare said: “She always found time to hold a meeting all the years I have been to the CSW. I always remember our first lunch at Rockerfeller in 2009 was fully sponsored by Catherine and Leila. 
“Her attention to grooming and etiquette is so alive. I can’t forget the shock on her face, mixed with pleasure at the last dinner when we honored her in March – I’m so glad we did.” 

Catherine was also the second vice president of the UNDPI/NGO Executive Committee.
The USA Chapter will issue a remembrance piece in due course. Our thoughts and prayers are with her family and friends during this sad time. Rest in peace Catherine.

Regards,
Violet Gonda
IAWRT board Secretary.

Dear IAWRT-member,

Would you like to screen your film at an international film festival in Norway?

IAWRT Norway has several times presented films from our international members at the annual Films from the South festival in Oslo.

The festival focuses its work around films and filmmakers from Asia, Africa and Latin America. It aims to be a forum for cultural exchange. In 2014 the festival will be held from the 9th-19th of October.

We would like to present one or more films at this year’s festival, too. There is also the possibility of inviting one filmmaker to Oslo for the screening.

We are especially looking for documentaries, but fiction films are also welcome.

Have you made a film or do you know of any good films involving women from Asia, Africa or Latin America?

We hope to see many suggestions from our members.

Please send a short description of the film to [email protected]. If the film is online, we would appreciate a link as well.

Send a copy of the film on DVD to this address:
Ida Kvittingen
Vetlandsveien 76
0685 Oslo
NORWAY

You can use this address even if you send it by DHL, FedEx or similar express services.

We need to have the films by the 20th of June in order for the festival to consider them.

You can read more about the Films from the South festival here: www.filmfrasor.no/en/

Best regards,
Ida Kvittingen
IAWRT Norway board member

Humaira Bilkis with Aaradhana Kapur

10th IAWRT Asian Women’s Film Festival from March 5-8, 2014

A much awaited event of Delhi’s cultural calendar, the 10th IAWRT Asian Women’s Film Festival, will be held from March 5-8 to mark International Women’s Day.

Over 60 films and sound works from 15 countries including Afghanistan, Bangladesh, Hong Kong, India, Iran, Israel, Lebanon, Myanmar, Pakistan, Russia, South Korea, Sri Lanka, Taiwan, Turkey and UK will be screened.

The uniqueness of the festival is that it showcases the works of women filmmakers of Asian origin in a range of genres—documentary, short fiction, animation, experimental and feature fiction—exploring a diversity in country, content and form.

Some of the highlights of this year’s festival are Sleepless Nights a powerful cinematic documentary by Eliane Raheb from Lebanon on the possibility of forgiveness after the civil war, My No-Mercy Home a courageous film from South Korea by Aori on a young woman’s legal battle against her father in a case of child sexual abuse,…And the Unclaimed a moving film on the suicide of two lesbian girls by Debalina. The notable films of shorter duration include Carpet Weavers by Batul Moradi, TrueLoveStory by Gitanjali Rao, The Summer Flu by Priyanka Chhabra and Aisa Nahun Hua tha Tahira by Rajula Shah.

This year marks the tenth edition of the festival and altogether 26 filmmakers and sound artists will be attending the festival to participate in post screening discussions.

Says Anupama Srinivasan, the Festival Director, “What started as a two-day documentary festival in 2005 as part of the IIC-Asia Project conceived by Dr Kapila Vatsyayan and the late Jai Chandiram, has today grown into a four-day event across multiple venues showcasing the works of women directors of Asian origin in a range of genres. What has remained the same is that we continue to celebrate the creativity of Asian women filmmakers”.

Apart from a sparkling line-up in the general programme, the countries in focus are Sri Lanka and Taiwan. “We received over 35 entries and it was amazing to see the range of work by Taiwanese women filmmakers. The four films that are part of the selection present to us the concerns facing modern Taiwan. We bring to you three documentaries and a feature fiction that share the experience of its people as a nation, a community and a family,” says Uma Tanuku, curator of the Taiwan segment at the festival.

Hu Tai-Li gently presents in her Voices from Orchid Island, the indigenous Yami people coping with the onslaught of tourism and storage of nuclear waste on their island. Ho Chao-Ti hides nothing in My Fancy High Heels as she explores the commerce, the factory, the workers and the animals being cobbled together to supply to the high end market. In Nyonya’s Taste of LifeWen Chih-Yi lets you savour the small joys that sustain two young migrant women looking after the young and the old in Taiwanese homes.

In the three films that are part of the Sri Lankan selection, the women directors ask a fundamental question: What constitutes an ethical and democratic society? Do the majority and minority populations have equal rights to participate in acts of citizenship? If ethnic minorities cannot make that claim, what does that say about contemporary Sri Lankan society?

Says Subasri Krishnan, the curator of the Sri Lankan segment: “While all the films do not necessarily deal with the aftermath of the conflict between the Sri Lankan State and the Tamils, they do in some ways reflect the tensions of a multi-ethnic society where equal rights of citizenship is not always an entitlement. Ennakum Oru Per (feature fiction) and White Van Stories (non-fiction) are set in the context of the ethnic conflict between the Tamils and Sinhalaswhile Ingirunthu (fiction) deals with the struggles that the upcountry Tamil plantation workers have been through, in order to be recognized as equal citizens of Sri Lanka. There will also be a special panel discussion on the post conflict scenario in Sri Lanka.

The 10th IAWRT festival also includes a novel segment titled Soundphiles—a curation of sound works. “Soundphiles is a celebration of listening. Our worlds today are navigated increasingly through images with sound running as a hidden layer, a track that runs incessantly and yet remains invisible. In the first edition of Soundphiles, we sought work from diverse practices, from radio journalism to more experimental sound art,” observe curators Iram Ghufran and Samina Mishra. Titled– Many Echoes, Many Worlds, Soundphiles comprises works by filmmakers, artists, journalists and media/arts students drawing you into a diversity of worlds in a variety of forms – the rhythm of the textile mills of Malegaon, broken sounds from the contested streets of London, a deafening bombing in Iran, scratchy magnetic tracks of old Hindi films, poems recited and even an ethereal dreamscape from Turkey.

A seminar titled—Hum Gunahgaar Auratein/ We Sinful Womencelebrating art and resistance by women in South Asia will be held on March 8 at the Goethe-Institut/ Max Mueller Bhavan. The event is organised around the question: how do women artists and activists in South Asia strategise and survive in repressive environments living as they do in a world of suicide bombing, drone attacks, and ruthless militarism in different names and guises? What is the power of art and social activism, if it can be swept away by guns, bombs, violence?

To discuss and debate these issues, IAWRT India has invited leading South Asian writers, poets, artists, performers and activists to share their experiences and journeys amongst themselves, and with an interactive audience.

The seminar has been conceived and coordinated by Prof. Uma Chakravarti and Anupama Chandra. Participants include some of the most eminent artists and activists from South Asia like Salima Hashmi (artist and activist), Fahmida Riaz (poet), Nahid Siddiqui (Kathak performer) and Amar Sindhu (poet) from Pakistan; Hana Shams Ahmed (activist) from Bangladesh; Priya Thangarajah (activist) from Sri Lanka; Anita Dube (sculptor and curator), Sheba Chhachhi (filmmaker and artist), Chitra Ganesh (artist), Mithu Sen (artist), Sabeena Gadihoke (photographer and cameraperson), Urvashi Butalia (publisher and writer), Uma Chakravarti (feminist historian), Kutti Revathi (poet), Mangai (theatre artist), Maya Krishna Rao (dancer and theatre artist) and Vasu Primlani (stand-up comic artist) from India. A younger generation of activists will also engage in conversation with an older one, and these include Dolly Kikon (academic and activist), Parismita Singh (graphic novelist and artist), Gazala Peer (academic and activist).This all-day event will feature four sessions: on the visual arts; poetry, writing and performance; on political activism across generations; and on comedy and satire.

The programme also includes two installationsCycle of Sovereignty and Memory of Water. The first is a project by the Zenki Collective that looks back at the role of a women’s collective in the 1990s, the Tinsukia District Mohilla Committee, which took on an important role with their activism against the state’s human rights violations. The cycle and weaving become important symbols of their political activism: the cycle made them mobile and allowed them to travel to markets to sell the cloth they wove in the collective, as well as to organise political meetings all over Tinsukia and its adjoining districts. This project celebrates their spirit of resistance and commitment to social and political change in their area.

Memory of Water is an installation by Jenny Pinto, one of a handful of studio paper artists in the country. Through paper sculptures and photographs, she explores the nature of our relationship with water.

Is it to be found in the spaces between wetness and dryness? What else can we find in spaces, in silence, in emptiness, on edges?

There is also a group exhibition, Andaaz-e-Bayaan, at the IIC Annexe Gallery celebrating diverse expressions in text and image by Anandana Kapur, Geeta Sahai, Debjani Bandyopadhyay, Paromita Vohra, Samina Mishra, Sania Farooqui, Smriti Nevatia, Uma Tanuku, Usha Bhasin, Vani Subramanian.

And finally, in order to encourage the student community to view documentaries by women and on women, screenings will be held in different colleges and institutions during the entire month of March.

Where:

5-7 March:

Screenings, panel discussion, installations and exhibition at India International Centre

8 March:

Seminar HUM GUNAHGAAR AURATEIN at Goethe Institut/ Max Mueller Bhawan

1-31 March:

Screenings at AKJ Mass Communications Research Centre, Jawaharlal Nehru University, Jesus and Mary College, Kirori Mal College, Lady Shri Ram College, Miranda House, Nehru Memorial Museum & Library, Ramjas College, Shiv Nadar University.

For further details, please visit iawrtindia.blogspot.in

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Greetings member,

Its that time of the year where we are calling for theme suggestions for our popular long documentary project 2014. The long documentary project is part of IAWRT mandate to build the capacities of members in documentary/film making to enhance professional standards of members. You are, therefore, requested to send in your idea(s) before March 21st, 2014 to [email protected].

Once the theme is selected, invitation for proposal will be sent out soonest possible.

An example of a previous theme for a long documentary is “The impact of climate change on women.”